
DJ STORM
The First Lady of Drum & Bass: a foundational selector whose story runs from Rage and Kemistry & Storm through the birth of Metalheadz, the Blue Note and a solo career that has carried the music worldwide.
From the dancefloor to the foundations
Jayne Conneely, known as DJ Storm, entered drum & bass from the dancefloor. Together with her close friend Kemistry, she became obsessed with the emerging breakbeat sound being played by Fabio and Grooverider at Rage at Heaven. The pair bought their first decks in October 1991; Randall helped them work out the mechanics of mixing, right down to the beginner’s mistake of leaving the rubber mats on the Technics.
Before Metalheadz existed, Kemistry & Storm were already building a public identity on London pirate radio. They held a regular Touchdown FM show with a young Goldie hosting on the mic, turning the friendship formed around Rage into the working triangle that would soon sit at the centre of Metalheadz.
Kemistry & Storm moved through London pirate radio and soon formed a close creative alliance with Goldie. When Metalheadz was established in 1994, they were central to its early operation: recruiting artists, helping with press and promotion, representing the label and becoming residents at the Sunday Sessions at the Blue Note.
The Blue Note years became one of drum & bass’s defining club chapters. Producers brought fresh dubplates to be tested in the room, DJs took greater risks, and Metalheadz helped push the music toward deeper, more experimental forms. Kemistry & Storm’s international reputation grew with that movement, culminating in their acclaimed DJ-Kicks mix.
Kemistry was killed in a motorway accident in April 1999 while travelling home with Storm from a gig. Storm eventually returned to DJing alone and built a major solo career while remaining closely connected to Metalheadz. She became an important role model for younger women entering drum & bass without ever being reduced to that role: first and foremost, her reputation rests on selection, technical mixing and an instinct for balancing darkness, soul and forward motion.
More than three decades after she started mixing, Storm remains an active international DJ and a living link between Rage, the Blue Note era and contemporary drum & bass. In 2026 Metalheadz revived the Blue Note Sessions as a run of smaller UK dates built around the original club’s forward-thinking ethos, with Storm among the foundational selectors taking that idea back into intimate rooms.
From Rage to Metalheadz and beyond
From the dancefloor to the decks
Rage and the emerging breakbeat sound pushed Storm and Kemistry from dedicated dancers into a working DJ partnership.
Metalheadz & the Blue Note
Metalheadz, the Sunday Sessions and the Blue Note placed Kemistry & Storm inside one of drum & bass’s defining creative environments.
The solo chapter
After Kemistry’s death, Storm returned to DJing alone and built an international solo career while remaining closely connected to Metalheadz.
Living continuity
Storm remains an active selector and a direct link between Rage, the Blue Note era and contemporary drum & bass.
Storm in frame



Kemistry & Storm to the solo years
Storm across the eras
A living link through drum & bass history
Storm’s archive importance is unusually direct: the same career connects Rage, Kemistry & Storm, Metalheadz, the Blue Note and today’s international drum & bass circuit. That continuity gives the surviving recordings extra documentary value.
DJ Storm online
Explore the legacy
A foundation figure, still selecting.
Storm’s career runs through the centre of drum & bass history rather than around its edges.



